With only a handful of books to her name (thus far), Lori Benton has already established herself as a go-to author in the world of historical fiction (AKA #mustread). Her attention to detail, writing style, and heart-tugging characters combine to create epic stories set during the wild frontier times of America and freshly showcase Native American cultures. Needless to say, any time I have the chance to read one of her stories, I’m going to jump at it!
I’m happily on her book launch team for her new release, A Flight of Arrows. It is the second half and conclusion to her “Pathfinders” duology.
du·ol·o·gyd(y)o͞oˈäləjē/noundefinition: a pair of related novels, plays, or movies
Note: the books really should be read in order. So, if you haven’t already, please check out The Wood’s Edge first to avoid spoilers and to experience this story fully. You have been warned!
October 1776–August 1777
It is said that what a man sows he will reap–and for such a harvest there is no set season. No one connected to Reginald Aubrey is untouched by the crime he committed twenty years ago.
Not William, the Oneida child Reginald stole and raised as his own. Identity shattered, enlisted in the British army, William trains with Loyalist refugees eager to annihilate the rebels who forced them into exile. Coming to terms with who and what he is proves impossible, but if he breaks his Loyalist oath, he’ll be no better than the man who constructed his life of lies.
Not Anna, Reginald’s adopted daughter, nor Two Hawks, William’s twin, both who long for Reginald to accept their love despite the challenges they will face, building a marriage that bridges two cultures.
Not Good Voice and Stone Thrower, freed of bitterness by a courageous act of forgiveness, but still yearning for their firstborn son and fearful for the future of their Oneida people.
As the British prepare to attack frontier New York and Patriot regiments rally to defend it, two families separated by culture, united by love, will do all in their power to reclaim the son marching toward them in the ranks of their enemies.
“You do not let fly an arrow before you aim it.” -Good Voice, pg 30
This story follows a tangle of characters in the middle of a path toward redemption while a major cultural conflict takes place within the Revolution. It’s quite interesting how their choices and circumstances come between them and have ripple effects.
For instance, Reginald’s choices years ago have caused everyone’s life to be very different. His choices, though, led to opportunities for redemption and healing for everyone involved. Without his hasty deceptive choice, we would never know Anna and Two Hawks’ love story, the deeper-than-friendship unity of Reginald and Stone Thrower, the ever-supportive and patient Lydia and Good Voice, and the power of forgiveness that bonds all of them together. All of their journeys really show the ability of God to redeem a choice, a situation, or a mistake, and use it for our good and His glory.
I already miss these characters! Each one found his or her way into my heart for a different reason, but especially Two Hawks. And Stone Thrower (for reasons. No spoilers here!). Two Hawks’ love and devotion to Anna is topped only by his respect for her father and desire to do things the way God wills. The selflessness of Two Hawks and Stone Thrower, on several occasions, is impressive.
This is an epic story that covers much ground and the rich history of lesser-known events of the Revolutionary War (at least very new to me). Lori has the extraordinary ability to convey the weight of a situation, the pain, danger, or heart-wrenching emotion of a moment or decision through her writing. I was riveted from the beginning! If you have an opportunity to read this series, please do. And come tell me your feelings, after!
A HUGE thanks to Waterbrook Multnomah and Lori for the complimentary review copy in exchange for my honest review.
And, this book has an amazing Pinterest board! Check it out here.
My previous posts:
The Wood’s Edge (interview & review)
The Pursuit of Tamsen Littlejohn (review)